rebel:art

Die Reklamewand wird zur Leinwand: Durch verschiedene Sequenzen, die immer wieder überklebt werden, erzählt Eric Baudelaire in “Sugar Water” eine narrative Billboard-Tragödie. Den Film (72 Minuten) gibt’s hier: “The film takes place on the fictional Paris metro platform at the fictional Porte d’Erewhon, where a billposter descends into the station to cover a large advertising billboard painted bright blue. He continues to wheat-paste a sequence of images that depict a common car parked on an anonymous Parisian street. He continues by then covering that image with one of the same car busting into flames. The billposter continues until the car becomes swallowed up in smoke, and then remains only as a burnt-out skeleton of the former car. All the while, metro riders enter and exit the scene seemingly oblivious to the slow-motion narrative action taking place. Baudelaire hired a real billposter to lay down the imagery, but the commuters who move in and out of the station are all hired actors, enacting a sort of role reversal in which the person upon whom the single camera focuses is not an actor; the “extras” who fill the background, meanwhile, are.” Via