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	<title>rebel:art &#187; fake</title>
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	<link>http://www.rebelart.net/diary</link>
	<description>connecting art and activism</description>
	<lastBuildDate>Thu, 09 Feb 2012 08:28:57 +0000</lastBuildDate>
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		<title>Watchlist: Jani Leinonen</title>
		<link>http://www.rebelart.net/diary/watchlist-jani-leinonen/0012368/</link>
		<comments>http://www.rebelart.net/diary/watchlist-jani-leinonen/0012368/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 01:21:10 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[Jani Leinonen]]></category>
		<category><![CDATA[Ronald Mc Donald]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12368</guid>
		<description><![CDATA[&#8220;From the triptych: Once It Was Faith Now It&#8217;s Hunger&#8221; &#8220;Matrushka&#8221; Cap&#8217;n Crunch executed on Aalto table &#8220;Hated by many&#8221; &#038; &#8220;Headstones&#8221; &#8220;Franchi Spas-12&#8243; &#038; &#8220;Assassination of Nesquick Bunny&#8221; &#8220;From the series: Rejected ideas for Cap&#8217;n Crunch advertisements&#8221; &#8220;From the series Anything Helps: Framed with decorative and valuable gold frames, these signs have been collected&#8230;]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/kirjankuvia_0048.jpg" alt="" /><br />
<em>&#8220;From the triptych: Once It Was Faith Now It&#8217;s Hunger&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/15006225.jpg" alt="" /><br />
<em>&#8220;Matrushka&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/RVS3410.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/RVS3409.jpg" alt="" /><br />
<em>Cap&#8217;n Crunch executed on Aalto table</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/Kirjakuvia_a_0026.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/IMG_0084.jpg" alt="" /><br />
<em>&#8220;Hated by many&#8221; &#038; &#8220;Headstones&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/kirjakuvia_a_0043.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/Kirjakuvia_a_0042.jpg" alt="" /><br />
<em>&#8220;Franchi Spas-12&#8243; &#038; &#8220;Assassination of Nesquick Bunny&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/kkk.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/CapnPornTony.jpg" alt="" /><br />
<em>&#8220;From the series: Rejected ideas for Cap&#8217;n Crunch advertisements&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/05042008042.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/28531-028531.jpg" alt="" /><br />
<em>&#8220;From the series Anything Helps: Framed with decorative and valuable gold frames, these signs have been collected from around the world for €20 or $20 apiece.&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/pornNovita.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/nainen.jpg" alt="" /><br />
<em>&#8220;Novita&#8221; &#038; &#8220;Nainen&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/KassuOFF.jpg" alt="" /><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/kassuoff2.jpg" alt="" /><br />
<em>&#8220;Pay per view: Playing with the boundaries of art, commodification and voyeurism, Pay-per-view gives viewers a glimpse of an artwork from behind an electronic curtain for 15 seconds at a time. Works from unknown market artists to Jeff Koons are on display, but of course, the art consumer always pays the corresponding market price. To repeat the viewing experience, the viewer pays again. And again.&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/02/233796.jpg" alt="" /></p>
<p><iframe width="600" height="335" src="http://www.youtube.com/embed/8PVyrG4MTGo?rel=0" frameborder="0" allowfullscreen></iframe><br />
<em>&#8220;<a href="http://www.freeronald.org/">Free Ronald: Food Liberation Army</a>&#8220;</em></p>
<p><a href="http://www.we-make-money-not-art.com/archives/2012/01/jani-leinonen.php">WMMNA-Régine</a> hat ein Interview mit dem Mörder von <a href="http://www.rebelart.net/diary/food-liberation-army-kidnapping-ronald-mcdonald/008010/">Ronald Mc Donald</a> geführt, dem finnischen Künstler <a href="http://www.janileinonen.com/">Jani Leinonen</a>. Im Sommer ist der Gerichtstermin, ihm werden Betrug und Fälschung vorgeworfen: &#8220;We just got the final charges via mail a few weeks ago. I and two other FLA members are charged with forgery and fraud, and the trial will be held in June in Helsinki. The prosecutor claims that the repair form of a fictional statue repair company we left at the table at McDonald´s is a forgery. Even more surprisingly he claims we committed a fraud and tried to profit economically by kidnapping Ronald. I am very happy about the chance to make my case in trial. We are planning to invite the best food specialists and art scholars to witness that our action was art and and served a revolutionary purpose.&#8221;</p>
 <p><a href="http://www.rebelart.net/diary/?flattrss_redirect&amp;id=12368&amp;md5=a02aaced969f7c48a7169bb3564a260f" title="Flattr" target="_blank"><img src="http://www.rebelart.net/diary/wp-content/plugins/flattr/img/flattr-badge-large.png" alt="flattr this!"/></a></p>]]></content:encoded>
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		<title>Rémi Gaillard: &#8220;Radar&#8221;</title>
		<link>http://www.rebelart.net/diary/remi-gaillard-radar/0012315/</link>
		<comments>http://www.rebelart.net/diary/remi-gaillard-radar/0012315/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 22:12:15 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[Radar]]></category>
		<category><![CDATA[Radarfalle]]></category>
		<category><![CDATA[Rémi Gaillard]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12315</guid>
		<description><![CDATA[Rémi Gaillard ist zurück &#8211; als Radarfalle. Via: Mail]]></description>
			<content:encoded><![CDATA[<p><iframe width="600" height="335" src="http://www.youtube.com/embed/uvYxXBMqEOM?rel=0" frameborder="0" allowfullscreen></iframe></p>
<p><a href="http://www.nimportequi.com/en/video_radar.html">Rémi Gaillard</a> ist zurück &#8211; als Radarfalle. Via: Mail</p>
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		<title>Luzinterruptus: &#8220;Deciduous Lampposts&#8221;</title>
		<link>http://www.rebelart.net/diary/luzinterruptus-deciduous-lampposts/0012262/</link>
		<comments>http://www.rebelart.net/diary/luzinterruptus-deciduous-lampposts/0012262/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 22:37:15 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[Blätter]]></category>
		<category><![CDATA[Gold]]></category>
		<category><![CDATA[Herbst]]></category>
		<category><![CDATA[Lampposts]]></category>
		<category><![CDATA[Luzinterruptus]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12262</guid>
		<description><![CDATA[Luzinterruptus mit einer Hommage an den goldenen Herbst: This is our last intervention “Deciduous Lampposts”, our personal tribute to the autumn that has gone by. We love this season, which fills the streets with dry leaves covering the cold asphalt in wonderful orange tones.&#8221; Via: Mail]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/IMG_7741.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/IMG_7749.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/IMG_7735.jpg" alt="" /></p>
<p><a href="http://www.luzinterruptus.com/?p=958">Luzinterruptus</a> mit einer Hommage an den goldenen Herbst: This is our last intervention “Deciduous Lampposts”, our personal tribute to the autumn that has gone by. We love this season, which fills the streets with dry leaves covering the cold asphalt in wonderful orange tones.&#8221; Via: Mail</p>
 <p><a href="http://www.rebelart.net/diary/?flattrss_redirect&amp;id=12262&amp;md5=8d12ba74f0f6eb3f3bca2f83134aa394" title="Flattr" target="_blank"><img src="http://www.rebelart.net/diary/wp-content/plugins/flattr/img/flattr-badge-large.png" alt="flattr this!"/></a></p>]]></content:encoded>
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		<title>Watchlist: HeHe</title>
		<link>http://www.rebelart.net/diary/watchlist-hehe/0012174/</link>
		<comments>http://www.rebelart.net/diary/watchlist-hehe/0012174/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 08:57:38 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[hacktivism]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[urbanism]]></category>
		<category><![CDATA[watchlist]]></category>
		<category><![CDATA[Grüne Wolke]]></category>
		<category><![CDATA[HeHe]]></category>
		<category><![CDATA[Heiko Hansen]]></category>
		<category><![CDATA[Helen Evans]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12174</guid>
		<description><![CDATA[&#8220;Nuage vert&#8220; &#8220;Catastrophes domestiques Nº2&#8243; &#8220;Catastrophes domestiques Nº1: Flyrony&#8221; &#8220;Siren Shield v1.0 is a personal counter surveillance software that monitors police activity. This software is freely available for download.&#8221; HeHe sind das Duo Helen Evans und Heiko Hansen: &#8220;HeHe steht zwischen Kunst, Design und Alltagsintervention: Das Künstlerduo HeHe befasst sich mit Phänomenen aus dem täglichen&#8230;]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/nv_stouen.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/nv_helsinki66.jpg" alt="" /></p>
<p><iframe src="http://player.vimeo.com/video/17350218?title=0&amp;byline=0&amp;portrait=0" width="600" height="338" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe><br />
<em>&#8220;<a href="http://www.nuagevert.org/">Nuage vert</a>&#8220;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/PEC_MG_4025_w.jpg" alt="" /><br />
<em>&#8220;Catastrophes domestiques Nº2&#8243;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/FLYRONY_0704_p.jpg" alt="" /><br />
<em>&#8220;Catastrophes domestiques Nº1: Flyrony&#8221;</em></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/SS__6416_800.jpg" alt="" /><br />
<em>&#8220;Siren Shield v1.0 is a personal counter surveillance software that monitors police activity. This software is freely <a href="http://hehe.org.free.fr/hehe/siren/index.html">available for download</a>.&#8221; </em></p>
<p><a href="http://hehe.org.free.fr/index.html">HeHe</a> sind das Duo Helen Evans und Heiko Hansen: &#8220;<a href="http://www.arte.tv/de/3748094,CmC=3748096.html">HeHe steht</a> zwischen Kunst, Design und Alltagsintervention: Das Künstlerduo HeHe befasst sich mit Phänomenen aus dem täglichen Leben, mit banalen Gebrauchsgegenständen, verstärkt, vergrößert oder reduziert sie. Bei ihren Aktionen improvisieren HeHe mit ständig neuen Objekten &#8211; vom Motor bis zum Bügeleisen. Im Kontext der Kunst erfährt jeder Alltagsgegenstand eine symbolische Aufladung. Das Duo macht sogenanntes kritisches Design, das auf einen gesellschaftlichen Kontext abzielt und sich in keine künstlerische Disziplin einordnen lässt. Ähnlich wie die Nouveaux Réalistes, die Dadaisten oder die Situationisten streben auch HeHe danach, die Grenzen zwischen Kunst und Leben zu sprengen. HeHe befasste sich so zum Beispiel mit Themen wie Umweltverschmutzung, dem Green-Washing der Autoindustrie oder neuen Sicherheitstechnologien, in denen sich auch unbewusst unsere Ängste vor Katastrophen aller Art spiegeln.&#8221; Via: <a href="http://www.digitalmcd.com/">mcd Magazin</a></p>
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		<title>Lang lebe das Papierschwein: Hack von Barto</title>
		<link>http://www.rebelart.net/diary/barto-papierhack/0012164/</link>
		<comments>http://www.rebelart.net/diary/barto-papierhack/0012164/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 14:48:45 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[Barto]]></category>
		<category><![CDATA[Papierhack]]></category>
		<category><![CDATA[Schwein]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12164</guid>
		<description><![CDATA[Barto hat die Lösung für die Welternährung: &#8220;Endlich ist sie da, die Lösung aller ernährungswissenschaftlichen Probleme der Weltbevölkerung: das PAPIERHACK, hergestellt aus Papierschweinen. Garantiert frei von tierischen Stoffen und genießbar für Vegetarier, Muslime, Christen, Juden, Buddhisten und trendbewusste Fleischverweigerer.&#8221; Via: Mail]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/6674286243_625e132270_z.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/6674282961_fb2510629f_z.jpg" alt="" /></p>
<p><iframe width="600" height="437" src="http://www.youtube.com/embed/Ee7RAxUGrOY?rel=0" frameborder="0" allowfullscreen></iframe></p>
<p><a href="http://barto.blogsport.de/2012/01/10/papierhack-die-loesung-fuer-die-welternaehrung/">Barto</a> hat die Lösung für die Welternährung: &#8220;Endlich ist sie da, die Lösung aller ernährungswissenschaftlichen Probleme der Weltbevölkerung: das PAPIERHACK, hergestellt aus Papierschweinen. Garantiert frei von tierischen Stoffen und genießbar für Vegetarier, Muslime, Christen, Juden, Buddhisten und trendbewusste Fleischverweigerer.&#8221; Via: Mail</p>
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		<title>Rafael RG: &#8220;Hans Ulrich Obrist ist hier in 20 Min&#8221;</title>
		<link>http://www.rebelart.net/diary/rafael-rg-hans-ulrich-obrist-ist-hier-in-20-minuten/0012087/</link>
		<comments>http://www.rebelart.net/diary/rafael-rg-hans-ulrich-obrist-ist-hier-in-20-minuten/0012087/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 22:46:35 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[Brasilien]]></category>
		<category><![CDATA[Hans Ulrich Obrist]]></category>
		<category><![CDATA[HUO]]></category>
		<category><![CDATA[Rafael RG]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12087</guid>
		<description><![CDATA[HUO kommt gleich! &#8220;Hans Ulrich Obrist will be here in 20 minutes. Don&#8217;t miss him!&#8221; a banner by Rafael RG (born in Brazil, 1986) which was installed in 2010 in abandoned public spaces of the city of Fortaleza in Brazil. The banner makes reference to one of HUO heroes, curatorial pioneer Walter Hopps who was&#8230;]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/28331_1308714441620_1343354494_757120_443912_n.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/28331_1308714561623_1343354494_757121_2721438_n.jpg" alt="" /></p>
<p>HUO kommt gleich! &#8220;Hans Ulrich Obrist will be here in 20 minutes. Don&#8217;t miss him!&#8221; a banner by <a href="http://cargocollective.com/rafaelrg">Rafael RG</a> (born in Brazil, 1986) which was installed in 2010 in abandoned public spaces of the city of Fortaleza in Brazil. The banner makes reference to one of HUO heroes, curatorial pioneer Walter Hopps who was always famously late and preferred to work outside of normal office hours, from midnight to sunrise. Walter Hopps’s legendary elusiveness prompted the employees at the Corcoran Gallery in Washington, D.C., where he served as director in the 1970s, to make buttons reading &#8220;Walter Hopps will be here in 20 minutes.&#8221; The banner by Rafael RG in Fortaleza, announces an event that will never happen, and refers to the expectations of the &#8220;peripheries&#8221; to be discovered and validated by the centre.&#8221; <a href="http://centrefortheaestheticrevolution.blogspot.com/2012/01/hans-ulrich-obrist-will-be-here-in-20.html">Via</a></p>
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		<title>Pablo Chiereghin: &#8220;The Scam&#8221;</title>
		<link>http://www.rebelart.net/diary/pablo-chiereghin-the-scam/0012035/</link>
		<comments>http://www.rebelart.net/diary/pablo-chiereghin-the-scam/0012035/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 23:23:31 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
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		<category><![CDATA[fake]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[Broker]]></category>
		<category><![CDATA[Künstlerhaus Wien]]></category>
		<category><![CDATA[Kunst und Kapital]]></category>
		<category><![CDATA[Pablo Chiereghin]]></category>
		<category><![CDATA[The Scam]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=12035</guid>
		<description><![CDATA[&#8220;The Scam&#8221; &#8211; eine neue Performance des italienischen Künstlers Pablo Chiereghin. Während der Ausstellung &#8220;Kunst und Kapital&#8221; im Künstlerhaus Wien gab der Künstler vor, er könne das Geld der Besucher verdoppeln, schloss Verträge ab, tat jedoch nichts und behielt das Geld dann einfach. &#8220;The artist organizes a complex financial operation under the fake supervision of&#8230;]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/Performance-foto-giamma-web.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/image.jpeg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2012/01/The-scam-contract.jpg" alt="" /></p>
<p>&#8220;The Scam&#8221;  &#8211; eine neue Performance des italienischen Künstlers <a href="http://www.pablochiereghin.com/works/the-scam">Pablo Chiereghin</a>. Während der Ausstellung &#8220;Kunst und Kapital&#8221; im Künstlerhaus Wien gab der Künstler vor, er könne das Geld der Besucher verdoppeln, schloss Verträge ab, tat jedoch nichts und behielt das Geld dann einfach. &#8220;The artist organizes a complex financial operation under the fake supervision of a broker firm. The participants give money under the promise of having the amount doubled or at least to have their money back  within 3 month. The artist gives to the investors signed contracts and then uses the money for personal purposes.&#8221; Via: Mail</p>
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		<title>Kyle Bean: &#8220;Soft Guerilla&#8221;</title>
		<link>http://www.rebelart.net/diary/kyle-bean-soft-guerilla/0011926/</link>
		<comments>http://www.rebelart.net/diary/kyle-bean-soft-guerilla/0011926/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 16:59:55 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[fake]]></category>
		<category><![CDATA[gimmicks & gadgets]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Essen]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Kyle Bean]]></category>
		<category><![CDATA[Soft Guerilla]]></category>
		<category><![CDATA[Waffen]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=11926</guid>
		<description><![CDATA[Foto: Sam Hofman Schöne Serie von Kyle Bean zum Thema &#8220;Soft Guerilla&#8221;: &#8220;A series of weapons made from harmless materials for a feature article centred around the topic of &#8216;Guerilla Gardening&#8217; and &#8216;Yarn Bombing&#8217;.&#8221; Via]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/kyle_01.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/kyle_02.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/kyle_03.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/5.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/kyle_05.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/kyle_06.jpg" alt="" /><br />
<em>Foto: Sam Hofman</em></p>
<p>Schöne Serie von <a href="http://www.kylebean.co.uk/portfolio/?p=cutmagazinesoftguerilla">Kyle Bean</a> zum Thema &#8220;Soft Guerilla&#8221;: &#8220;A series of weapons made from harmless materials for a feature article centred around the topic of &#8216;Guerilla Gardening&#8217; and &#8216;Yarn Bombing&#8217;.&#8221; <a href="http://www.ignant.de/2011/12/19/soft-guerilla/">Via</a></p>
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		<title>Poetic Terror 3: The Final Detonation</title>
		<link>http://www.rebelart.net/diary/poetic-terror-3-the-final-detonation/0011924/</link>
		<comments>http://www.rebelart.net/diary/poetic-terror-3-the-final-detonation/0011924/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 16:26:19 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[fake]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[new projects]]></category>
		<category><![CDATA[street art]]></category>
		<category><![CDATA[urbanism]]></category>
		<category><![CDATA[Brasilien]]></category>
		<category><![CDATA[MaicknucleaR]]></category>
		<category><![CDATA[Poetic Terror 3]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=11924</guid>
		<description><![CDATA[Schöner Kurzfilm von MaicknucleaR über Interventionen und Performances in Brasilien: &#8220;This short still offering an approach based on estragement relative to social norm and deals with an approach to the strangeness of the social normativity and the rupture of routine through poetry interventions of poetic nature and actions that propose the reflexive use of urban&#8230;]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/26676938?title=0&amp;byline=0&amp;portrait=0" width="600" height="338" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
<p>Schöner Kurzfilm von MaicknucleaR über Interventionen und Performances in Brasilien: &#8220;<a href="http://vimeo.com/26676938">This short</a> still offering an approach based on estragement relative to social norm and deals with an approach to the strangeness of the social normativity and the rupture of routine through poetry interventions of poetic nature and actions that propose the reflexive use of urban space, with provocative acts, through acting s that borders on margins the comical, but having the seriousness as fulcrum for reflection themes as a pondering action.&#8221; Via: Mail, thx Ann!</p>
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		<title>OccupyFDP: &#8220;FDP unterwandern&#8221;</title>
		<link>http://www.rebelart.net/diary/occupyfdp-fdp-unterwandern/0011887/</link>
		<comments>http://www.rebelart.net/diary/occupyfdp-fdp-unterwandern/0011887/#comments</comments>
		<pubDate>Fri, 30 Dec 2011 12:31:32 +0000</pubDate>
		<dc:creator>*A</dc:creator>
				<category><![CDATA[Intervention]]></category>
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		<category><![CDATA[fake]]></category>
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		<category><![CDATA[FDP]]></category>
		<category><![CDATA[OccupyFDP]]></category>
		<category><![CDATA[Partei]]></category>
		<category><![CDATA[Unterwandern]]></category>

		<guid isPermaLink="false">http://www.rebelart.net/diary/?p=11887</guid>
		<description><![CDATA[Am Wochenende startete die Aktion &#8220;OccupyFDP&#8220;: Neue Mitglieder sollen die Partei unterwandern. Mit 65.000 Neubeitritten &#8211; soviele Mitglieder hat die FDP aktuell &#8211; gelänge sogar die feindliche Übernahme: &#8220;Die FDP hat 65.000 Mitglieder und ständig werden es weniger. Das liegt daran, dass die FDP die Partei der ökologisch, sozial und wirtschaftlich verantwortungslosen Lobbypolitik ist. Dies&#8230;]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/bonihof_mask_pixel_nologo.jpg.scaled1000.jpg" alt="" /></p>
<p><img src="http://www.rebelart.net/diary/wp-database/uploads/2011/12/mitmischen_gro.jpg.scaled1000.jpg" alt="" /></p>
<p><iframe width="600" height="335" src="http://www.youtube.com/embed/0lDJeOTZ8EM?rel=0" frameborder="0" allowfullscreen></iframe></p>
<p>Am Wochenende startete die Aktion &#8220;<a href="http://www.occupyfdp.com/">OccupyFDP</a>&#8220;: Neue Mitglieder sollen die Partei unterwandern. Mit 65.000 Neubeitritten &#8211; soviele Mitglieder hat die FDP aktuell &#8211; gelänge sogar die feindliche Übernahme: &#8220;Die FDP hat 65.000 Mitglieder und ständig werden es weniger. Das liegt daran, dass die FDP die Partei der ökologisch, sozial und wirtschaftlich verantwortungslosen Lobbypolitik ist. Dies hat jetzt ein Ende. Wir zeigen der FDP, was freie Märkte bedeuten. Wir übernehmen die Mehrheit der FDP und stellen sie auf ein neues Fundament. Oder wir lösen sie auf. Die FDP ist der ideale Übernahmekandidat: Sie hat Vermögen, sie hat Regierungsbeteiligung auf Bundesebene und sie findet kaum mehr Akzeptanz bei den Wählern. Sie ist die Partei der Lobbyisten. Sie ist angezählt und braucht dringend neue Mitglieder.&#8221; Mehr dazu auch <a href="http://jetzt.sueddeutsche.de/texte/anzeigen/533274/Haette-die-FDP-Eier-in-der-Hose-haette-sie-laengst-aufgehoert">hier</a>, via: Mail, danke Dschoni!</p>
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